Working With Colorista as a Premiere Pro Plug-in
But you will see through this tutorial that Colorista can do a lot of complicated effects, because you can layer it like you can in other grading applications with primary and secondary layers of color.
If you’re editing in Premiere Pro, using Colorista for your col grading keeps you from having to use the direct link over to SpeedGrade and back unless you wanting to do something extremely complicated. Well, not really destroy it, but I am going to make it have a very different quality-maybe not something that you would expect to see in footage like this.Ĭolorista is a powerful plugin that keeps you from having to bounce back and forth amongst different applications. I like this footage just the way it is, but I am going to destroy it with Colorista. The East Tennessee kayaking footage we’ll work with in this tutorial. You’ll see all these visual elements at different angles on the kayak and the kayaker in the video that accompanies this article.įigure 1. We’ve got some nice green trees, some rich earth tones in the rocks and water, some vibrant red, and a few other colors ( Figure 1, below). There’s some side lighting, the sun is still fairly low, and since it’s getting late in the season, the sun doesn’t rise up as directly overhead.
It was shot on a late summer morning, and it’s got some nice color.
I have some footage that I shot last year of a friend doing some kayaking on a river not too far from me in East Tennessee. If you have, you’ll notice one of the things that has changed is its simplified interface. If you haven’t used Colorista before, this will be a good introduction for you. In this article I’ll be taking a look at Colorista III, a color grading plug-in which is part of the Magic Bullet Suite from Red Giant Software.
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